Page 1. Page 2. Page 3. Page 4. Page 5. Page 6. Page 7. Page 8. Page 9. Page Page Page Page Page Page Page Page Page Telemann Fantasias: a feat of ingenuity and inspiration examples for flute such as Schickhardt’s L’Alphabet de la Musique, twenty-four sonatas in all major. ANTÔNIO CARLOS PORTELA DA SILVA first three of Telemann’s 12 Fantasias for Solo Flute. . ii) Revised edition of Telemann Fantasias 1, 2 and 3.
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Performer Pages Tokinori Yanagita baroque flute. An extant copy of the publication, conserved in Brussels, has a spurious title page reading Fantasie per il Violino senza Basso Fantasias for Solo Violin.
So this tells us that there were many fanrasias competent amateur viol players in the German-speaking world and beyond. Inan arrangement for viola solo was published by Euprint.
Although the first page says “Violino,” and even though every piece, like most Baroque flute music, is performable on the violin, these are the Telemann solo-flute Fantasias. And when he trlemann to France in to present these works, he was ecstatic at the abilities of the great French virtuosos who played them: From Wikipedia, the free encyclopedia. Hence, the fantasisa is public domain in its country of origin or a government publication. Barenreiter Verlag In it was announced that it had been found and that a new publication would be issued the following year, together with a recording; and they teleman first performed during the Mecklenburg Telemann Festival in March It was developed from the vihuela, an ancestor also of the guitar, in Spain in the last part of fifteenth century, and came to Italy in with the election of the second of the Borgia popes, Alexander VI.
12 Fantasias for Solo Violin (Telemann) – Wikipedia
B major, C minor, F minor and F-sharp major. Fantasias ; For flute ; Scores featuring the flute ; For 1 player ; For recorder arr ; Scores featuring the recorder ; For trumpet arr ; Scores featuring the trumpet. The collection is arranged by keyprogressing more or less stepwise from A major to G minor. The site is also available in several languages.
If so, the copyright claim is bogus as simple transposition completely fails to meet the threshold of originality required to qualify as a derivative work or adaptation. Lilypond source filesLilypond source files modified to compile on Debian Jessie and a version transposed for recorder. Telemann’s violin fantasias exhibit fantxsias of not only compound melodic lines, but also of idiomatic writing for violin,  as Telemann himself was a self-taught violinist.
Views Read Edit View history. Genre Categories Fantasias ; For flute ; Scores featuring the flute ; For 1 player ; For recorder arr ; Scores featuring the recorder ; For trumpet arr ; Scores featuring the trumpet. Composer Time Period Comp. Retrieved from ” https: His facility in writing idiomatic instrumental music for almost all instruments then in use was legendary, and we can hear that clearly in his writing for the viol in these fantasias.
12 Fantasias for Solo Violin (Telemann)
Not only did he write the music, but he personally engraved the plates as well, claiming he could complete nine or ten a day.
fantaxias Introduction English The telemabn da gamba is a most remarkable instrument: Many of his publications came out in weekly or monthly installments, encouraging the public to continue buying until the particular work they wanted was complete.
Telemann, Georg Philipp – Twelve Fantasias – for Viola – arranged by Alan Arnold – Viola World
This appears to be a mere transposition. Part of his fame came from being his own publisher, and an inventive and enterprising one at that. Contents 1 Performances 1. Much of the music reveals the influence of Italian sonatas and concertos, but the typical tendency of German solo violin music to rely on polyphony is still present: But Its potential as a solo instrument was quickly realised and the first publication of solo music came in in Venice. Between andhe issued no fewer than 43 publications.
Please obey the copyright laws of your country. Creative Commons Attribution-NonCommercial 4. It is remarkable that the solo bass viol, already having such a large repertory without mentioning the chamber music or the fantasjas music finds itself enriched even more with a large body of important and excellent works by a leading composer of the high baroque.
And he included a sonata for solo viola da gamba, very idiomatically conceived felemann the instrument and surely a model for these twelve fantasias. Please help improve this article by adding citations to reliable sources. There are two ways to view the overall structure of the collection: